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Melting Moms Lose Babies in Truth Campaign

  • Jan. 22nd, 2007 at 6:51 PM
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Melting Moms Lose Babies in Truth Campaign
"Melting Moms Lose Babies in Truth Campaign" on Google Video

Akcija, kuria buvo tikimasi atkreipti visuomenės dėmesį į rūkančias mamas, naudojo ledines nėščių moterų skulptūras, su viduje esančiais kūdykiais.
Tikiuos ji peveikė ne vieną praeivį.

:)

Art of the street

  • Oct. 2nd, 2006 at 5:12 PM
colors
nice photo essay via TIMES





they did it with links to artists webpages. Realy super.
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Art-themed hotels

  • Sep. 26th, 2006 at 11:29 AM
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coolhunter present photo review of posibilities to stay in scenography.


In the competitive international designer-hotel scene, glamorous interiors just don’t seem to cut it anymore. Innovative hoteliers are looking for new ways to impress, and a slew of artistically-minded ones have hit the jackpot with the themed rooms concept. Why choose one interior style when you can have a series of radically different ones for each room, giving patrons good reason to come back again and again to experience them all? From Madrid to Copenhagen, Cape Town to Paris, the themed-room hotel is now officially a hot trend, providing a backdrop for the innovative work of many high profile artists, designers and sundry other creative types who hoteliers have called in to create unique mini-worlds within their four walls that tell their own stories. Here’s our pick of the world’s top ten.

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Plastmase

  • Apr. 23rd, 2006 at 6:23 PM
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In one of the essays in Mythologies, Barthes acknowledges the "quick-change artistry of plastic" but then goes on to say that "plastic is, all told, a spectacle to be deciphered: the very spectacle of its end-products" (with spectacle being a somewhat technical term meaning "the interplay of action, representation and alienation in man and in society").
For Barthes, plastic becomes the ultimate sign of transmutation: "Plastic, sublimated as movement, hardly exists as substance." In fact:
"The hierarchy of substances is abolished: a single one replaces them all: the whole world can be plasticized, and even life itself since, we are told, they are beginning to make plastic aortas."

The correct ilustracion of all above is conceptual works of Dominic Wilcox


White. [D. Wilcox]


War bowl [d.Wilcox]

Credits: Foulcault on Criticism

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Paper graffiti [dreamland artists/SWOON]

  • Jul. 14th, 2005 at 9:06 AM
colors

27-year-old (new york city-based) female street artist known as SWOON.
turning the 76 grand street gallery into a ramshackle labyrinthine
city of paper and paint transformed both the façade and the
interior of the gallery into a handmade cityscape full of hidden
corners to discover.
interview



before ...



... and after a while
© copyright SWOON

article'n'galery )
:)

Gates in Korea.

  • Apr. 20th, 2005 at 3:55 PM
colors
In Kim Ki Duk's film "Spring, summer, autumn, winter and again spring" gates and doors play important role showing characters relations with place.
----
reflections
by suh do-ho
maison hermes, tokyo
january 22 – april 3, 2005


the gate is an intermediate, ambiguous space -
neither inside or out.the traditional houses of japan
and korea possess an openness and spatial flexibility
that cultivated a space where humans and nature co-exist.
suh's use of fabric strengthens the sense of blurred boundaries.
:)

rocking chairs and their Rockers

  • Apr. 6th, 2005 at 10:23 AM
colors

picasso in his thonet rocking chair
courtesy thonet, frankenberg
---

PABLO PICASSO (1881-1973)
spanish artist






/ see more images
- 1 - 2 - 3 - 4 - 5

...off their rockers )

more rockers
history of rocking chair

via designboom

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Public art [troley and Gollums]

  • Apr. 5th, 2005 at 9:40 PM
colors


Troleybuses are the one of the
most important public spaces.
And additionally, its mobile.
I cant imagine Vilnius without
them


notes: )
~~~
trambience
Public art[1]
[Duselforf is undeer attack of Gollums]
posted in [info]cityscapes by [info]wolk_off
:)

bad old news

  • Oct. 21st, 2004 at 8:51 AM
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Vakar, skirtingai nuo kitų darbo dienų,  Morka nusprende užsnusti saulėto kambario atokaitoje. Susirangė minkštame fotelyje ir kutenamas jazminų kvapo bei Gorano Bergovičiaus (žmogaus kurio kencerto taip ir nepamate, tačiau turi visą jo diskografija MP3 formate) čigoniškų gitarų akordų jis grimzdo į savo gilius samonės ir racionalaus mastymo nepšviestus rūsius.

Išmuštas prakaito užstrigęs kompaktas ciksejo rėždamas ausis. Morka nubudo ir eilini kartą suprato, kad meno nera. Tai, kuo jis šventai tikėjo mokykloje, tai, prie ko ėjo ilga savo gyvenimo atkarpa, pasirodo tik mirazas. Jautriai paveiktas į samonę sugrįžusios tiesos dar gerą valanda žiurėjo į apsiniaukusį dangų ir iš miško ateinantį vakarinį rūką. Atsiminė, kaip po kiekvienos paskaitos apie postmodernizmą jis tyliai sliūkindavo namo, lyg po artimo draugo laidotuvių. Manė atsikratęs to nenusakomos beprasmybes jausmo.
Toli grazu ne.

Tik skitringai nuo VDA, kur jėgų suteikiantis eliksyras buvo meno istorijos paskaitos, VGTU -  po Frankfurto mokyklos apokaliptiškų culture studies idejų seka i neviltį varanti masinė komunikacija.

Aš ryškiai nepritampu šiame pasaulyje.

MAMA PAGIMDYK MANE ATGAL!!!

norečiau dirbti vaikų meno mokyklos piešimo\tapybos mokytoju kokiam nors pietų amerikos kaimelyje, o po paskaitu eiti ir prisigerti.

:)

FICTION33

  • Oct. 18th, 2004 at 8:39 AM

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Urvo piešiniai

  • Oct. 17th, 2004 at 10:25 PM
:)
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colors

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Y drugyje litovskyje istoryji

 

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Sep. 29th, 2004

  • 9:04 PM
colors
 

The terror and desperation of CHELSEA GIRLS is a Holy Terror — Jonas Mekas


No doubt most of the critics and "normal,' audiences will dismiss such films as "Chelsea Girls" as having nothing to do either with cinema or "real" life. It is becoming apparent that there is a complete misunderstanding about the role of the artist in a society. Some critics would like to relegate him to some sweet and innocent corner of our life. Most of the critics and viewers do not realize that the artist, no matter what he is showing, is mirroring or forecasting also our own lives. The terror and desperation of "Chelsea Girls" is a holy terror (an expression which, I was told, Warhol himself uses in reference to his work): it's our godless civilization approaching the zero point. It's not homosexuality, it's not lesbianism, it's not heterosexuality: the terror and hardness that we see in 'Chelsea Girls" is the same terror and hardness that is burning Vietnam and it's the essence and blood of our culture, of our ways of living: this is the Great Society.

Those who hate or dismiss Warhol's work because of this terror in it, hate it for what they should really praise in it: for being able to portray some essential truths about ourselves. As I have said a number of times before: it's not the artist that is failing today: it's the critics that are failing by not being able to explain the real meaning of art to man. These works, once understood and embraced. would become rituals of Holy Terror, they would exorcise us from terror.

— JONAS MEKAS writing in the
Village Voice, Sept. 29, 1966.

 
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