December 26th, 2004
Tarp tokių konstruktyvizmo ir Ru-Avant-garde veidu kaip: Dziga Vertov, Vladimir Mayakovsky, El Lissitzky, Larionov su Goncharova, nagalima napamineti vieno svarbiausio iš jų:
Alexander Rodchenko ir sekdamas nauja, feministinės menotyros tendencija į istorijos puslapius sugražinti menininkes moteris, pristatau Varvara Stepanova - jo žmoną. Dar vadinama modernizmo amazone.


Alexander Rodchenko and his wife Varvara Stepanova formed one of the husband-and-wife partnerships not uncommon in the history of Russian avant-garde.
Rodchenko was born in St Peterburg in november 1891. He studied at the Kazan School of Art from 1910 to 1913, as an external student. Here he met Varvara Stepanova, the daughter of petty official, who had been born in 1894 in Kaunas, in Lithuania.
In February 1914 the poet Vladimir Mayakovsky, together with the port-painter David Burliuk and Vasily Kamensky, gave a Futurist performance in Kazan. This was a first Rodchenkos meeting with avant-garde. They were entranced, and Rodchenko later described the meeting as 'one of the inmortant of my life'.
I always admired the construktyvist costumes (combinezones with big pockets) designed by Rodchenko.
credits:
exhibitions:
@Gugenheim
Rodchenko exhibition in Moscow
Rodchenko in google
Museum of modern art New York
Galery [2]
theory:
Crowded Squares and Empty Shadows
Design and politics
( selected works )
Faraday's discovery (1845) that an intense magnetic field can rotate the plane of polarized light is known today as the Faraday effect. The phenomenon has been used to elucidate molecular structure and has yielded information about galactic magnetic fields
| 1 faraday = 96 485.3415 Coulombs |
- Music:Matthew Jonson "Typerope"
[futurizmaZ] begins [čia] :)
Antonio Russolo - "Corale", "Serenata", 1924, Musica Futurista, organized by Daniel Lombardi, Fonit Cetra. (2:31)
MP3
1.Giacomo Balla Discussione sul futurismo di due critici sudanesi (1914) [more]
( IMAGES )- Music:CAN -Aumgn.

Bruno Latour, born in 1947 in Beaune, Burgundy, from a wine grower family, was trained first as a philosopher and then an anthropologist.After field studies in Africa and California he specialized in the analysis of scientists and engineers at work. In addition to work in philosophy, history, sociology and anthropology of science, he has collaborated into many studies in science policy and research management. He has written Laboratory Life the construction of scientific facts (Princeton University Press), Science in Action, and The Pasteurization of France (both at Harvard University Press). He also published a field study on an automatic subway system Aramis or the love of technology and an essay on symmetric anthropology We have never been modern (both with Harvard and now translated in 22 languages). With the same publisher, he also published a series of essays, Pandora's Hope:Essays in the Reality of Science Studies.
[1] Presentation of Iconoclash -|- site
[2] An Imaginary dialogue on Modernity - cia
Toliau ieškant "nematomų ateivių" invazijos į miesto vaizdą, akis užsikabino už įvažiavimų į kiemus.
Tvarkant ir atnaujinant gatvės grindinio plytelės, įvažiavimai į kiemą lieka tarp privačios ir viešos erdvės.Paradoksalu - butent šios zonos nusidevi greičiausiai.
Senasis miestas slepiasi kieme, o naujasis - gatvėje.
Ši karta rodau du skirtingus naujo ir seno miestų išsidėstymo variantus:
[1] Fasadinę kiemo dalį sutvarkė, sudejo naują grindinį, o kiemas ir įvaziavimas į jį liko nepakitę.
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